Historical perspective strict versus free counterpoint counterpoint as taught on the basis of stylistic norms the nature of counterpoint the single melodic line melodic contour relative importance. I also found now counterpoint, based on eighteenth century practice. In any case, it would have been possible to teach a gifted student the fundamentals of partimento playing in this amount of time. Skips through triads and 7th chords, which are rare or even forbidden in 16th century writing, can be used with fewer problems in 18th century counterpoint. He is known as an expert in partimento realization and counterpoint. Comparing the counterpoint books by jeppesen and schoenberg.
His research, which, among others, resulted in a phd and the publication of his book johann sebastian bachs art of fugueperformance practice based on german eighteenthcentury theory leuven university press, 20 and his article on fedele fenarolis pedagogy. Harold owen, modal and tonal counterpoint, from josquin to stravinsky. K53 1998 course grade components attendance and participation 15% weekly assignments 35% canon 10% invention 10% presentation paper 15% final project fugue exposition 15%. Book i is concerned with the construction of the cantus firmus and the. Based on eighteenthcentury practice hardcover good. Mus 311 counterpoint, study guide f georgetown college. While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual. What is different between fux 1st species counterpoint and. Counterpoint, based on eighteenth century practice. Based on eighteenthcentury practice kennan, kent wheeler on.
Based on eighteenthcentury practice by kennan, kent kennan, k hardcover available at half price books. Where thomasius castigated the fear of witches and the lingering practice of witch trials as superstitious and ignorant, mattheson and telemann found superstition and ignorance in the metaphysics of counterpoint and the practice of learned canons. Suggested text material about italian baroque composition. Sep 01, 2018 in 2015, van tour noted that salas 177 partimenti represent the richest collection. Based on eighteenthcentury practice edition 3 available in hardcover. A practical approach to eighteenthcentury counterpoint. The academic study of counterpoint was long based on gradus ad parnassum 1725, tr. Counterpoint by kent kennan trade cloth for sale online. It does not cover the strict vocal 17th century counterpoint. It is divided into two books, the first published in 1910, and the second in 1922. If you want to learn how to write polyphonic pieces in this style of music, this is the book. An update eighteenthcentury music 152, cambridge university press, 2018, is. The book that i suggested is basically based in eighteenth century counterpoint so, mostly in the style of bach, which is very applicable to any direction that you choose to take. Kent kennan this fourth edition of the leading text in the field retains the overall.
Based on eighteenthcentury practice by kennan, kent wheeler counterpoint. Tonal counterpoint in the style of the eighteenth century. Performance practice based on german eighteenthcentury theory leuven. This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. Buy counterpoint workbook by kent kennan online at alibris. Methods of teaching composition in late eighteenth century naples, a valuable companion to this edition that sheds considerable light on the way partimenti were taught in the. Popular counterpoint textbooks today include the following. Designed for courses in beginning and advanced counterpoint, this established text introduces the contrapuntal style of 17th and 18th century music through. Music composition students will generally take a semester of species counterpoint which covers the 16th century practice and then take counterpoint which covers the 18th.
Based on eighteenthcentury practice by kennan, kent wheeler. The term originates from the latin punctus contra punctum meaning point. Whats the difference between sixteenth century counterpoint. It has been most commonly identified in the european classical tradition, strongly developing during the renaissance and in much of the common practice period, especially in the baroque. I also found now counterpoint, based on eighteenth century practice kent kennan. Porpora 16861768 was a student of gaetano greco at the conservatorio dei poveri in naples and later himself became a maestro at the conservatorio di san onofrio, where francesco durante also taught. Bach benjamin, thomas 1986 counterpoint 18th century bach, johann sebastian, 16851750 criticism and interpretation musical analysis music collections mt55. These forms are usually seen as very strict, but kennan discusses exceptions usually by bach giving an appropriate sense of the degree of fluidity these techniques had in practice. Counterpoint, based on eighteenth century practice by kennan, kent wheeler and a great selection of related books, art and collectibles. Counterpoint punctum contra punctum point against point note against note. Counterpoint, based on eighteenth century practice kent kennan designed for courses in music, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. You are on the right track in thinking that sixteenth century counterpoint melody or modal based as this answer suggests and eighteenth century counterpoint harmony based.
Based on eighteenthcentury practice by kennan, kent wheeler abebooks. It was published by pearson and has a total of 312 pages in the book. He depends more on examples than words to provide this is a solid introduction to 18th century counterpoint i. The title of this book is counterpoint 4th edition and it was written by kent kennan.
A remarkable number of salas partimenti are based on a single. This work formulates the study of counterpoint into five speciesnote against note, two notes against one, four notes against one, syncopation, and florid counterpoint, which combines. Kent kennans counterpoint, based on eighteenth century practice. Counterpoint kontrapunkt in the original german is the second volume of heinrich schenkers new musical theories and fantasies the first is harmony and the third is free composition.
Writingfirst of exercises using a free species approach, then of music involving the forms or techniques studied e. Counterpoint by kent kennan and a great selection of related books, art and collectibles available now at. Harmony that arises is purely secondary and mostly non functional. Based on eighteenth century practice kent kennan on amazon.
While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual writing of contrapuntal examples. This book covers counterpoint in the style of johann sebastian bach. If the question is more general the difference between 16th and 18th century counterpoint there are two main differences. While contemporary composers such as, john adams and john corigliano, have expanded the meaning of tonality, harmony and counterpoint, young composers should have an understanding of these techniques. A practical approach to eighteenthcentury counterpoint, revised edition. Designed for courses in beginning and advanced counterpoint, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. In practice, however, this is not the way to go for many reasons. Richard parks, eighteenthcentury counterpoint and tonal structure. Kent wheeler kennan designed for courses in music, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. Kent kennan is professor emeritus of music at the university of texas at austin, where he taught for many years.
Free counterpoint article about free counterpoint by the. Waveland press a practical approach to 18th century. The subject matter of the work is species counterpoint. Robert gauldins a practical approach to eighteenthcentury counterpoint 19881995. Counterpoint by kent kennan trade cloth for sale online ebay. In music, counterpoint is the relationship between voices which are harmonically interdependent yet independent in rhythm and contour. Based on eighteenthcentury practice envio en 1 a 3. Counterpoint, based on eightteenth century practice third edition. This is a solid introduction to 18th century counterpoint i. Counterpoint 4th edition by kent kennan 9780807465. In his autobiographical sketch joseph haydn claims to have learned the true fundamentals of composition from nicola porpora. Also, by linking the study of counterpoint to music of a specific period, the text provides a clear model for students to emulate and a definite basis for the criticism of student work. Based on eighteenthcentury practice written by kent kennan, published by prentice hall in format paperback. Basically counterpoint is about the combination of notes in general, though the terms is sometimes used as a categorical complement to harmony, with counterpoint concerning the horizontal or melodic aspect, and harmony addressing the.
This section explores the wonderful world of counterpoint. Modal counterpoint is the style of composition that was employed until the tonal revolution pioneered by bach. A practical approach to eighteenth century counterpoint, revised edition. More guidelines for successful 18thcentury style writing. The orientation is strongly stylistic, dealing mainly with the polyphony of the late baroque period. The craft of modal counterpoint is the companion book to benjamins the craft of tonal counterpoint, recently republished in a second edition by routledge. Skips through triads and 7th chords, which are rare or even forbidden in 16thcentury writing, can be used with fewer problems in 18thcentury counterpoint. The practice of 18th century counterpoint is essential for understanding the fundamental. Based on eighteenthcentury practice hardcover good counterpoint. Special devices as applied to the the scholastic fugue. Ewald demeyere born 1974 is a belgian harpsichordist, conductor and music theorist. In seventeenthcentury and eighteenthcentury germany, a considerable number of theorists elaborated on the similarity which the writing and delivery of a speech have with the composition and performance of a musical piece by adopting linguistic precepts borrowed from the classical textbooks on rhetoric, their treatises aimed, principally with an instructional motivation, to codify the.
726 533 507 1468 251 686 445 1277 632 528 613 1282 175 75 177 589 541 159 1179 774 543 750 473 488 529 665 386 1186 105 1069 1613 503 257 91 1399 569 1002 975 1108 1043 710 850